Vale Charmaine Papertalk Green
It is with great sadness that Fremantle Press notes the passing of Charmaine Papertalk Green, poet, author, storyteller, visual artist and social science researcher – a proud Wajarri, Badimaya and Wilunyu woman of the Yamaji nation, who was born at a railway siding along the Greenough River and raised in the small Midwest WA town of Mullewa. In 2023, she was inducted into the WA Women’s Hall of Fame, and at the time of her passing, was Chair of Geraldton’s Yamaji Art Centre.
Charmaine Papertalk Green was the author of five books, most recently Nganajungu Yagu (Cordite Books, 2019), which won the 2020 ALS Gold Medal, and the poetry collection ART (published by Magabala Books in 2022, and co-written with John Kinsella), which was shortlisted for the 2023 ALS Gold Medal.
Her first poetry collection was Just Like That and Other Poems, published with then Fremantle Arts Centre Press in 2007. That publication marked the arrival of a poetic force – unflinching, political, purposeful, urgent and courageous. Just Like That was praised by her editor and now long-time admirer and collaborator, John Kinsella, as ‘compassionate and empathetic’, containing poems of ‘empowerment and conviction’.
In November this year, Fremantle Press will publish Rivers Flow, an anthology of First Nations–authored stories and poems inspired by First Nations singer-songwriters, Archie Roach and Ruby Hunter. Rivers Flow includes a poem from Papertalk Green, titled ‘Truth-telling Menu’s Sad Rations’. Her tribute to these formidable artists ends with words that could equally describe her own life’s work: to honour injustices and carry forward what is needed to heal.
Papertalk Green’s cultural and artistic contributions and her fearless and constant advocacy in the work of Indigenous empowerment and reconciliation are immeasurable.
With John Kinsella’s permission, we include here a poem to honour her passing. We offer our deepest condolences to the family of Charmaine Papertalk Green, to all those whose lives she touched and improved, and the great many people who loved her.
Grief
in memory of ‘CPG’
How can I continue how can I write
what doesn’t need to be written
when I cannot speak of loss
or make devotion in a way
that accords with country
and culture when for all friendship
and respect and all sharing and making
of yarns and books I am still
part of the false legacy the consequence
the incursion into physical-spiritual spaces
that I cannot and should never claim
to comprehend or claim in any way
whatsoever. Here are the collisions
and rips in language and here
are the residues of a disrupted
endocrine system a shock
that searches for medicine
that cannot be found but reaches
for what’s to hand. What right
to grieve from outside from the edge
of the solar system where fragments
of bodies search out the sun
as if not in its calling, the reach
of solar winds. How will I speak
in the future of a way through,
a way back, a way to say
what needs to be said?
John Kinsella