Category: Behind the book
Meet Me at the Intersection contributor Rafeif Ismail is a Perth-based, emerging Muslim writer who is a refugee from Sudan identifying as queer. She will be on a panel focusing on diversity at the Great Big Book Club Tea Party, an event co-hosted by the City of Melville and Fremantle Press at AH Bracks Library […]
Cheryl Kickett-Tucker is no ordinary children’s author. Once a community newspaper sports journalist, now a research scientist, associate professor and, most importantly, a writer of children’s fiction, Cheryl’s stories appear in Bush and Beyond, a collection of Indigenous stories with tales from Tjalaminu Mia, Jessica Lister and Jaylon Tucker.
Fremantle Press author Robert Edeson won the T.A.G Hungerford Award (now the City of Fremantle T.A.G. Hungerford Award) back in 2012 for his novel The Weaver Fish. Now with a second book, Bad to Worse, under his belt, he passes on his experience of entering the prize and explains why you should enter this year.
Acclaimed poet Tracy Ryan’s ninth poetry collection, The Water Bearer, is an intimate exploration of water and its many forms, from filling a second-hand cooler in an old country house to swimming lessons and ocean riptides. In this stunning volume, Ryan explores water as the life-giving and life-taking force that defines our existence.
The Holga is a medium format 120 film camera with a meniscus lens that is made in Hong Kong. Sydney photographer Sally Mayman loved the unpredictability of using it for the landscapes and some of the portraits in her new book, Seeing Saltwater Country. In this post, Sally takes you behind the scenes of some […]
Benang by Kim Scott is the latest Fremantle Press Treasure. It was the first book by an Indigenous writer to win the Miles Franklin Literary Award and, after nearly two decades, its continued relevance, its scope, language and largeness of spirit shows why it won our most prestigious prize, and why Scott went on to […]
Throughout the 1930s May Holman was a household name and an inspiration to the women of her generation. She made history in 1925 when, at age thirty-one, she became Australia’s first female Labor parliamentarian, holding the seat of Forrest until her untimely death on the eve of the 1939 elections. Thousands lined the streets for […]
Representation matters, including in picture book illustrations. Perhaps especially in illustrations, because children are fluent in the language of art in a way that most adults are not. There is no aspect of an illustration that escapes the attention of a child, and this means that to create art for children is to speak to an audience more attuned to the nuances of representation than yourself. This is one of the reasons why the misrepresentation of Indigenous peoples in illustration – or the misrepresentation of other diverse peoples, for that matter – should never be dismissed as being ‘only a picture book’.