Category: Behind the scenes
Lara Rudd is in her last semester at Curtin University, completing a Bachelor of Commerce with majors in Public Relations and Events Management. Earlier this year she had the opportunity to study Linguistics and Social Media at Stanford University on exchange. In this piece she takes you behind the scenes of what it was like […]
Based within the walls of the old Fremantle Prison, The Literature Centre has been nurturing young people’s interest in reading and writing since 1993. The Centre works with over 30,000 students each year in metropolitan, rural and regional areas of Western Australia. Alongside their work as champions of children’s book creators, they run open days […]
Fremantle Press extends its deepest sympathy to the family and friends of Ian Templeman, who passed away yesterday. Along with the late Terry Owen, Fremantle Press owes its existence to Ian’s vision for an independent publishing house that would provide greater publication opportunities for writers living and working in Western Australia.
Artist and author Sally Morgan shares her highlights from the inaugural Spinifex Story Writing Camp. I spent the last week of June participating in workshops at Tjuntjuntjara Remote School with three amazing people – Karen and Tina from the Indigenous Literacy Foundation (ILF) and illustrator Ann James.
Susan Swingler is the step-daughter of one of Australia’s most revered writers – Elizabeth Jolley. Abandoned by her father Leonard at the age of four, Susan had no contact with the Jolley family until they found and reclaimed her at the age of twenty-one. Why they were kept apart is the subject of her startling […]
Dianne Wolfer represented Australia at the International Board on Books for Young People (IBBY) conference in Bali where she presented a paper on ‘Anthropomorphism in Children’s Literature’ before heading to the Asian Festival of Children’s Content (AFCC) for the Singapore launch of Light Horse Boy.
A Fortunate Life by A.B. Facey turns 30 on Anzac Day 2011. First published by Fremantle Press and now licensed to Penguin, the bestselling memoir was pulled from the submissions pile by Fremantle Press Commissioning Editor Wendy Jenkins. In this article Wendy remembers what it was like to find a classic Australian story.